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- Originaltitel : The Day After Tomorrow
- Film titel i ditt land : The Day After Tomorrow
- År av film : 2004
- Genrer av film : Action, Äventyr, Science Fiction, Thriller,
- Status för film : Released
- Släppdatum för film : 2004-05-26
- Företag av film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder film : United States of America,
- Språk film : English, 日本語, Français, العربية, Español,
- Varaktighet film : 124 Min
- Genomsnittlig röst av film : 6.2
- Youtube ID för filmen : Ze8Gshk53Y8
- Översättning av film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,ZH,
- Maska av film :Kenneth Welsh (Vice President Becker), Vitali Makarov (Yuri, Tamlyn Tomita (Janet Tokada), Jay O. Sanders (Frank Harris), Arjay Smith (Brian Parks), Sela Ward (Dr. Lucy Hall), Kenneth Moskow (Bob), Ian Holm (Terry Rapson), Jake Gyllenhaal (Sam Hall), Glenn Plummer (Luther), Christian Tessier (Aaron), Nassim Sharara (Saudi Delegate), Richard Zeman (Flight Director), Japanese Astronaut), Russell Yuen (Hideki, Mimi Kuzyk (Secretary of State), Emmy Rossum (Laura Chapman), Christopher Britton (Vorsteen), Nestor Serrano (Gomez), Perry King (President Blake), Russian Astronaut), Carl Alacchi (Venezuelan Delegate), Adrian Lester (Simon), Austin Nichols (J.D.), Sasha Roiz (Parker), John Maclaren (Veteran Scientist), Michel 'Gish' Abou-Samah (Saudi Translator), Dennis Quaid (Jack Hall), Dash Mihok (Jason Evans)
0319262
The Day After Tomorrow är den största film tillverkats av Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, med användning av beskrivning av filmen är "Vad skulle hända med världen om växthuseffekten och den globala uppvärmningen fortsatte i sådan utsträckning att de en dag resulterade i en världsomfattande katastrof som flertaliga orkaner, tromber, jordbävningar, tidvågor, översvämningar och början på en ny istid?". Filmen är producerad med utmärkt grafisk kvalitet, bäst ljudkvalitet och finaste starring aktörer.
Du är just nu titta : The Day After Tomorrow från Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, i bästa look videoformat samt att skulle sannolikt vara Tillstånd som en del av din land. få tillgång till ett favoriter omedelbart film, under tryck av en mus! bredvid obegränsad mått på bandbredd och innehåll för att strömma, titta dina önskningar, om du vill!
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Sound Engineer : John Bires, Camera Operator : Eric Goethals, Finance : Linda Strause, Sound Effects Editor : Michael Kamper, Craft Service : Chris Winn, Visual Effects Producer : Mike Chambers, Property Master : Denis Hamel, Original Music Composer : Thomas Wanker, CG Supervisor : Dagan Potter, Special Effects : Neil Corbould, Pre-Visualization Supervisor : Daniel Fort, Camera Operator : Alfonso Maiorana, Sound Designer : Randy Kelley, Digital Effects Supervisor : Bryan Grill, Location Manager : Céline Daignault, Editor : David Brenner, Rigging Grip : Richard Complaisance, Scenic Artist : Donald Beaulieu, Grip : Joost Clerinx, Still Photographer : Takashi Seida, Makeup Effects : Sylvania Yau, Utility Sound : Schavaria Reeves, Visual Effects Supervisor : Remo Balcells, Third Assistant Director : Paul Drouin, Casting : Andrea Kenyon, Sound Recordist : Jon S. Trebilcock, Local Casting : Cate Praggastis, Location Manager : Lily Flaschner, Art Direction : Michele Laliberte, Key Costumer : Valerie T. O'Brien, First Assistant Editor : Robert Berman, CG Supervisor : Hans Uhlig, Sound Designer : Harry Cohen, 3D Supervisor : Rina Strause, Roto Supervisor : Stephanie Taubert, Stand In : Martin Brisebois, Producer : Roland Emmerich, Techno Crane Operator : Richard Boucher, Sculptor : Lucie Fournier, I/O Supervisor : Ryan Beadle, Second Unit Cinematographer : Tom Yatsko, Visual Effects : Michael Leung, Systems Administrators & Support : Joe Ardent, Set Dresser : Louis Dandonneau, Makeup Effects : George Tucci, Camera Operator : Bill O'Drobinak, Art Department Assistant : Una Martin, Camera Operator : Georgia Packard, Production Illustrator : Michael Meier, Key Grip : Marc Andrus, Casting : April Webster, Stunt Coordinator : Branko Racki, Propmaker : Patrice Jacques, CG Supervisor : David Prescott, Camera Loader : Charlie Newberry, Producer : Mark Gordon, Set Medic : Jean Marchand, Visual Effects Producer : Jody Echegaray, Special Effects Supervisor : Louis Craig, 3D Artist : Zack Judson, Camera Operator : Gary L. Camp, Visual Effects Supervisor : Chris Watts, Music Editor : Emanuele Arnone, Rigging Gaffer : Frank Dorowsky, Art Direction : Tom Reta, Set Designer : Karl J. Martin, Location Manager : Kenneth E. Fix, Hairstylist : Kathryn Powell, Executive In Charge Of Production : Vanessa R. Jordan, Visual Effects Editor : Michael Cavanaugh, Sequence Leads : Jason Iversen, Set Designer : Frédéric Amblard, Set Decoration : Paul Hotte, Visual Effects : Diane Macke, Construction Coordinator : Alain Brochu, Set Decoration : Victor J. Zolfo, First Assistant Camera : Michel Bernier, Sound Re-Recording Mixer : Doug Hemphill, Set Decoration Buyer : Stacy Weddington, Visual Effects Supervisor : Karen E. Goulekas, Set Designer : Stephanie Gilliam, 3D Animator : Jeremy F. Butler, Casting Assistant : Bryan Riley, Stunt Coordinator : Charlie Brewer, Costume Supervisor : Robert Q. Mathews, Set Production Assistant : Mariana Acuña Acosta, Hairstylist : Sandy DeBlasio, Visual Effects Supervisor : Greg Strause, Sound Designer : Ann Scibelli, Transportation Coordinator : Javier Gunther, ADR Editor : Kerry Dean Williams, Transportation Captain : John Bober, Loader : Amelie Duceppe, Construction Coordinator : Bruce Di Valerio, Director : Roland Emmerich, Visual Effects Supervisor : Jerry Spivack, Visual Effects Producer : Petra Holtorf, Set Designer : Hugo Santiago, Sound Recordist : Chris Walmer, Visual Effects Supervisor : Greg Anderson, Color Timer : Michael Eaves, CG Supervisor : Andrew Waisler, Co-Producer : Thomas M. Hammel, Set Costumer : Arlynn Abseck, Visual Effects : Kristen Branan, Visual Effects Producer : Raoul Bolognini, Costume Coordinator : Lyse Pomerleau, Storyboard : Timothy Burgard, Rigging Gaffer : Gilles Fortier, Steadicam Operator : Gary L. Camp, Set Designer : Alex Touikan, Post Production Supervisor : Jeffrey Harlacker, Production Design : Barry Chusid, Visual Effects Art Director : Alexander Laurant, First Assistant Editor : Quincy Z. Gunderson, Visual Effects Producer : Michael Meagher, Sound Designer : Alan Rankin, Dialogue Editor : Daniel S. Irwin, Orchestrator : Frank Bennett, Script Supervisor : Sophie Boyer, Unit Manager : Paul Boutin, Script Supervisor : Kim Berner, Associate Producer : Kim H. Winther, Visual Effects Supervisor : Richard Britton, Production Accountant : Manon Lapointe, Unit Publicist : Joe Everett, Transportation Coordinator : Daniel Matthews, Executive Producer : Stephanie Germain, Casting Associate : Scott David, Software Engineer : Chamberlain Fong, Casting : Randi Wells, Camera Operator : Peter Hutchison, Creature Technical Director : Vijay Myneni, Production Manager : Daniel Auclair, Supervising Art Director : Claude Paré, Visual Effects Supervisor : Rocco Passionino, Lighting Technician : Stéphane Byl, Visual Effects Producer : Todd Isroelit, Foley : Glenn T. Morgan, Set Designer : Steve Cooper, Key Makeup Artist : Kathryn Casault, Makeup Artist : Elisabeth Fry, ADR & Dubbing : Derek Casari, Unit Production Manager : Joe Dishner, Visual Effects Coordinator : Erica Headley, Dialogue Editor : James Matheny, Sound Recordist : Tim Gomillion, Makeup Effects : Adrien Morot, Matchmove Supervisor : Alia Agha, Musician : Maria Newman, Painter : Gloria Ciraolo, Costume Design : Renée April, Supervising Sound Editor : Mark P. Stoeckinger, Modeling : Yoshiya Yamada, Author : Jeffrey Nachmanoff, Boom Operator : Timothy P. Salmon, Still Photographer : Kerry Hayes, Property Master : Claire Alary, Construction Coordinator : Rejean Brochu, Carpenter : Jane Kilkenny, Chief Lighting Technician : Jean Courteau, Set Designer : Caroline Alder, Set Designer : Vincent Gingras-Liberali, Technical Supervisor : Irfan Celik, Author : Roland Emmerich, Second Unit Cinematographer : Anna Foerster, Construction Coordinator : Michel Brochu, Hairstylist : Réjean Forget, Dolly Grip : Alain Masse, Utility Stunts : Nick Brandon, Makeup Effects : C.J. Goldman, Negative Cutter : Gary Burritt, Camera Operator : Francois Archambault, Key Hair Stylist : Janis Clark, Visual Effects Producer : Casey Conroy, First Assistant Sound Editor : Victor Ray Ennis, Supervising Sound Editor : Larry Kemp, Art Direction : Réal Proulx, Transportation Co-Captain : Spiro Tsovras, Stunts : Marcello Bezina, Post Production Assistant : Jeff Schweikart, Driver : Chris Haynes, Art Direction : Martin Gendron, Video Assist Operator : Julie Garceau, Sound Recordist : Dennis Rogers, Electrician : Paul Postal, CG Supervisor : Sean Andrew Faden, Digital Intermediate : Lorene Simpson, Assistant Art Director : Camille Parent, Visual Effects Supervisor : Colin Strause, Digital Producer : Andra Bard, Sound Mixer : David O. Daniel, Lighting Supervisor : Chris Wells, Art Department Coordinator : Nancy A. King, Pilot : Al Cerullo, Line Producer : Tavin Marin Titus, Executive Producer : Ute Emmerich, Leadman : David M. Milstien, Director of Photography : Ueli Steiger, Best Boy Electric : Edison Jackson, Makeup Artist : Sharon Ilson, Sculptor : Andrew Semple, Original Music Composer : Harald Kloser, Helicopter Camera : Steve Hertler, Visual Effects Editor : Nicolas Anastassiou, Assistant Production Coordinator : Guylaine Boucher, Conductor : Blake Neely, Camera Technician : Steven J. Winslow, 24 Frame Playback : Marie-Pierre Tétreault, Digital Compositors : Sean Apple, Executive Visual Effects Producer : Marc Sadeghi, Lighting Artist : David B. Menkes, Music Editor : Bob Beher, Visual Effects Supervisor : Ian Hunter, Associate Producer : Lawrence Inglee, Production Coordinator : Danielle Boucher, Executive Producer : Kelly Van Horn, Assistant Property Master : Eric Bardin, Production Sound Mixer : Douglas J. Schulman, Gaffer : Logan Leabo, Steadicam Operator : Francois Archambault, Construction Foreman : Eric Lafrance, First Assistant Director : Kim H. Winther, Visual Effects Supervisor : Conny Fauser, Second Assistant Director : Erik Ajduk, Animation Supervisor : Danny Gordon Taylor, Art Direction : Gerald Sullivan, Costume Supervisor : Kenn Smiley
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